Posts tagged ‘music’

November 21, 2009

Awesome children’s music

I’m a big fan of some children’s music that has emerged over the past few years. You have Yo Gabba Gabba, which was created by the singer of the Aquabats and features some awesome indie artists singing songs to help educate children and stimulate their imagination. There’s Milkshake, who paid their dues in other bands in the Baltimore music scene before forming this band. And They Might Be Giants, who have been around since the 1980s, but did not start out as a children’s band.

I purchased the Powerpuff Girls soundtrack that came out roughly ten years ago and I still listen to it sometimes. It’s not really educational, but it’s still good for children on a creative and imaginative level.

I like the way these recent songs have been written and performed. They don’t insult a child’s intelligence. Many adults enjoy these songs as well. The music is well-done. It’s catchy enough for kids to like, but it’s not dumbed down.

I could not find any music videos online for Milkshake, but here is their website: http://milkshakemusic.com

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January 14, 2009

This chick is only 17 and impressive

Gabriella Cilmi is an Australian singer and is only 17 years old. Apparently, she was 16 when her album came out (and was a huge hit) in Australia and Europe. She sounds awesome and she’s gorgeous. I’ll be buying the album when it comes out here in the U.S.

November 6, 2008

My bday, Halloween show

I know I haven’t updated in a minute. This always seems to happen to me when I have the most things going on in my life to report. That’s when I don’t have time to post because I’m busy living life.

My 27th Bday:
It was fun and low-key this time. I just had a few close friends with me at the bowling alley. Yes, rock and bowl birthday. Fun times.

I thought a few years ago that this would be a year I would have a freak out. But I did not. Yay to me. Why would I have possibly freaked? When I was younger, 27 seemed like a landmark age.
For one, lots of influential musicians have died at this age. I didn’t think at any time that I’d be dying at 27 or anything like that. But I’d look up to these artists for accomplishing so much and so if they were able to achieve that by age 27, then that must not be all that young. I also thought of them as much older. What’s weird is when I think about people such as Kurt Cobain or Jim Morrisson, both of whom were my age when they passed away, I still think of them as being older than me. It’s hard for me to wrap my head around the fact that they were the same age. Even when I think about Biggie Smalls and Tupac Shakur, who were 24 and 25 when they died, I still think of them as being older than me.

The age of 27 also held significance because of other random other things that I can remember. When I was in high school, Limp Bizkit were the biggest selling rock band at the time. And I remember people discussing how it was weird how Limp Bizkit didn’t really get famous until Fred Durst was about 27, which they claimed "is so much later in life than other rock stars".
Back when I was in my first "real" rock band, I remember having a discussion with one of my bandmates. He asked me how much longer would I want to be out there regularly playing shows before calling it a day, settling down, and getting married. He said if he didn’t get a record deal by age 27, then he was calling it quits. [He has not called it quits and he is 29 🙂 ].

But I know that 27 isn’t old by any means. I have barely gotten my feet wet in my life. Sure, I’ve done a lot of things that I’m proud of/happy about, but there are many more that are yet to happen. As you live life and time passes, your perception of things will evolve and change, and the age 27 isn’t really so scary to me anymore.

Angel Dust @ Fletcher’s on Halloween
:
Angel Dust, my Faith No More tribute band, played Fletcher’s on Halloween.

Angel Dust’s members: Brandon Thomas (of Phantom Communique and formerly of Bleed the Dream) – vocals, Boyitz (of 7 Days Torn) – bass, Dawson (of Heroes of the Dawm and formerly of Victory Twin) – drums, Derrin (Heroes of the Dawn) – guitar, and Me (keyboards).

I thought we rocked, haha. The other bands were awesome as well. It was great to see Keith Thompson front a band in Ghouls Night Out! The vibe from the crowd was great, most of the people there were in costume, and I saw some friends of mine who I hadn’t seen in a while. I love Halloween. I was dressed as Lil’ Red Riding Hood.

Here are some pics from the show. The rest are in this MySpace photo album.
 
   

It looks like Angel Dust will turn out to be one of those one time things. We were planning to play a couple shows a month just for fun, but Brandon has decided he’s moving back to L.A. again.

There are more cool things that happened, but those are the main things.

July 19, 2008

Writer’s Block: Your First Record

The first piece of recorded music I personally bought myself was not an album. They were cassette singles (cassingles) I bought from Wal-Mart in Miamisburg, Ohio in 1991. They were Mariah Carey’s “Someday” and “Emotions” with “Vanishing” as the B-Side. I still really like the early Mariah Carey stuff, up until and including her MTV Unplugged performance. But I don’t really like stuff her after that.
I don’t know for sure what the first album I bought was since I didn’t have money and they were usually bought for me as Christmas or birthday gifts, such as Bryan Adams Waking Up the Neighbours, Janet Jackson janet., and The Spin Doctors Pocket Full of Kryptonite.
I do remember in the 7th grade, my favorites cassette albums were Green Day Dookie and Boyz II Men II. I had such a crush on Billie Joe Armstrong from Green Day.

As far as the first CDs I bought: I felt like the last person in America to not have a CD player in 1995. I babysat my neighbor’s children during that summer and used the money I made to buy a CD player and some CDs. The first CDs I bought all on the same day were: Hole Live Through This, Nirvana Unplugged, Clueless Soundtrack, Alanis Morrissette Jagged Little Pill.

I still really like all of the above mentioned albums and singles. Although when I first bought Alanis Morrisette’s album, it wasn’t played to death. I bought the album before it was huge. It actually debuted at no. 118 on the Billboard charts but now it’s one of the best selling albums in history. So after a couple months, it was played so much and after a year later, several other songs were played a ton. I ended up selling it since I felt I didn’t have a need for the CD anymore. But a few years later, I ended up buying it again used since that CD really is a great listen from start to finish. But I was just sick of hearing it on the radio and MTV all the time.

July 21, 2007

Candlebox – Saturday, July 14. Winger fans getting a hard time.

A week ago, I saw Candlebox perform at the Recher Theatre in Towson, MD. To be honest, I wasn’t their biggest fan. I didn’t hate them, either. I was going because my boyfriend (Joey)’s birthday was that week. He loves them, so I bought us tickets. Well, I’m glad I went! I didn’t realize just how good the singer’s voice sounds. It’s better live than on CD. It’s really good – kind of soulful and bluesy. They weren’t just another grunge band. Their guitarist was impressive.

But something caught me off guard. The singer was acting flamboyant and effeminate. That’s definitely not a bad thing. It’s just funny because if you watch their videos from the nineties, it’s like a completely different person is their singer now: Not just the way he looks but the way he acts and moves. Yes, the rest of the band look a little different than back then. But that’s because styles have changed and they are older. But the singer was very different. He had on a black vest, tight black jeans (tight hip huggers that showed off his bulge), and these white cowboy-ish designer shoes that matched his belt. And the way he was moving and acting was completely different than how he did in the 90s. He was practically doing the jazz hands. Every time he moved his hands, they were really flimsy. Like, when he put his hand to his ears to be like “I can’t hear you” to the audience, he did it in this flimsy way. He reminded me of the lead singer of the Scissor Sisters. I like his stage presence, though! I think I like it better than how he used to act. They were awesome. Just not what I expected.
They did an encore and did “Breathe” by Pink Floyd. The lead singer didn’t sing it though. It was the lead guitarist who sung it. The singer came back on stage after “Breathe” was over. (I think the singer had to go to the bathroom or something. That’s just my theory).

Compare these two videos to get an idea of what I’m talking about. The second video isn’t that great and doesn’t really show just how flamboyant he was. But you get an idea:

Candlebox Performing “Arrow” at WOODSTOCK ’94

Candlebox “YOU”. Raleigh, August 5, 2006.

Joey and I.   Joyce and I.
Joey and I.                              Joyce and I.

Before Candlebox started, this meat-head asshole came up to Joey and was giving him a hard time because Joey was wearing a Winger shirt. So I told him off and we walked away. We were on our way to walk up front when this happened. Later on in the show, the asshole somehow comes all the way up to the front of the stage where we are. (The club was really packed from front to back, so this is harder to do than you might think. Plus, I don’t know how he would have even spotted us). Anyway, he started putting his arm around Joey and then tried to be friends with him. It was really weird. I noticed after he came up front that the back of his shirt said “Back door is best”. What?!

Poor Winger fans. They’ve been getting a hard time for years. Remember this from Beavis and Butt-head?

Stewart from Beavis and Butthead

Read this funny explanation from Wikipedia about the whole Winger thing:

Stewart is usually depicted wearing a Winger t-shirt (as opposed to the heavier Metallica and AC/DC shirts that Beavis and Butthead wore) which helps characterize him as out of touch, as Winger was/is not thought highly of in the Heavy Metal subculture. As a result, Winger became a subject of ridicule in the mid 1990s. According to the documentary “Taint of Greatness: Part 2” on the Mike Judge Collection Volume 2 DVD, this was due to Winger telling MTV he would not let the show make fun of him. This has been cited as a reason for the band losing popularity. About the same time Lars Ulrich of Metallica could be seen throwing dart on a poster of Kip Winger in the video for Nothing Else Matters. When asked about this Kip Winger once stated: “Our band was known to musicians, and a lot of musicians showed up to see me play – watching trying to figure out how I’m playing – we were like the ‘hair band’ Dream Theater — That is why it’s the great irony that we ended up on that geeky guy’s shirt on Beavis & Butthead, because Metallica couldn’t play what we play, they couldn’t do it, they literally – technically couldn’t do it. And I’ll fucking challenge those chumps to that any day of the week that they couldn’t go back and play our shit, but we could play theirs with our hands tied behind our back. And so, I was a little t’d off about that, but in the end, none of that shit matters…”

When I worked at Bibelot in the music section (1999-2001), I found a solo CD by Kip Winger. It was in the New Age section.

July 18, 2007

L.A.M.E. – Gwen Stefani sues.

Taken from: http://omg.yahoo.com/gwen-stefani-sues-forever-21-over-fashion-logo/news/1052

(CLICK HERE to view the lawsuit against Forever 21)

LOS ANGELES, Calif. (July 17, 2007) — It appears Gwen Stefani doesn’t “Heart” Forever 21.

Gwen’s Harajuku Lovers fashion line is suing popular retail outlet Forever 21 for trademark infringement, claiming the clothing chain allegedly stole designs from the Harajuku Lovers line, Access Hollywood has learned.

In papers filed in Los Angeles Federal Court, reps for Gwen’s Harajuku Lovers claim Forever 21 is marketing, promoting and selling products featuring a design “virtually indistinguishable” from Harajuku’s signature heart/box logo.

The lawsuit claims Forever 21 “changed a couple of words in the Heart/Box Trademark, which are inconspicuous and likely to go unnoticed by a consumer.”

Specifically, the lawsuit claims Forever 21 used the design but changed the word “Harajuku” to “Forever” and the word “Lovers” to “Love.”

As a result of the chain using a similar image, Harajuku has allegedly “suffered and continues to suffer damage to its business reputation.”

Gwen launched the accessory line in 2005 to coincide with her Harajuku Lovers Tour.

 


Here’s what I think:
1). How about Asians and Asian-Americans sue Gwen for defamation of character? Those stereotypical, “Harajuku” girls are a disgrace, a minstrel show, and just plain horrible. She practically has them made up in Yellow Face. (Don’t tell me “Well, they are getting paid well to do this”. Prostitutes are also getting paid, but that doesn’t make it right. Maybe if Asians had more fair opportunities in the entertainment industry, they wouldn’t feel the need to do this). I could go on and on about this topic. But many others have done so far me already: 
Margaret Cho’s Blog Entry 
Several entries about the this on Disgrasian (Disgrasian’s Myspace profile lists her as the worst offender).
Salon.com article
The Gwen Stefani Rant! – Livejournal entry (Yes – Caucasians from Europe are upset about this, too!) 
Free The Gwenihana Four 
There are many other articles, blogs, and sites regarding this issue, but you get the point. 

2). Gwen is guilty of ripping off others, making this hypocritical. 

Sure, many if not most celebrities have copied something from others, but Gwen is worse than most. When I first heard No Doubt, the first thing I thought about Gwen’s voice was “Oh great, another female ska singer who tries to sing just like that. Boring!”.  

Her clothing, accessories, and make-up is just generic copying of cultures: 
-She stole generic trends from subcultures: She normally dresses like your typical teenaged alternative culture chick (punk/rude girl/goth/raver/freak/etc) who hangs out at the mall or at show. Yes, we dressed like this before No Doubt’s “Tragic Kingdom” came out. To most of the mainstream culture unaware of the alternative scene, Gwen was original and some even thought she invented this style. The truth is, a lot of this was already out of style and overdone in the subculture, and Gwen re-hashing it a couple years later was just a joke to us. Even in middle school, I thought Gwen’s style was equivalent to when Seventeen magazine put out articles/pictures about “How to dress like a rock chick”.  Her style is not very original and it’s watered-down.
-She has stolen from Jamaicans, African-Americans, Latinos, and Asians. (See the article above “The Gwen Stefani Rant!” for some evidence of this if you don’t remember or just plain didn’t notice this before). 
-At red carpet events, she wears very typical 1940’s fashion or complete Marilyn Monroe rip offs. This is much of what the L.A.M.B. (L.A.M.E.) line has. Wal-Mart and cheap mall stores (such as Rave, Divah, and Forever 21) have been selling basically the same things as L.A.M.B for years and for much cheaper.
-Her Harajuku Lovers line of clothing is a bad rip-off of clothing and accessories that already exist in Japan! She does a bad job of just copying off styles that already exist – either clothing sold in stores in Japan or looks that real Harajuku girls created themselves. Calling her dancers “Harajuku” girls is an insult to the real ones. 

Yes, I realize she’s not the only fashion designer or singer to steal things from others. But don’t sue a company for doing the same thing when you are guilty of it, too. Gwen most likely would never admit that she steals ideas.
 At least Forever 21 is known for being a cheap place to buy knock-offs. Which brings me to my next point…

3). Almost every designer gets their ideas stolen.

We could discuss whether or not it is right to sell knock-offs at an affordable price so that the less wealthy can afford the clothing. And we could discuss whether or not the designs were even stolen from her clothing line since the designs already existed before she created her line.  
But let’s just pretend that she did create completely original designs. How often do you  hear about real, reputable, respected high fashion designers suing? You rarely, if ever, hear about them doing this. So why is Gwen – not a reputable or highly respected designer – doing it?

Miranda (Meryl Streep) from “The Devil Wears Prada” explains it like this:
“This… ’stuff’? Oh… ok. I see, you think this has nothing to do with you. You go to your closet and you select out, oh I don’t know, that lumpy blue sweater, for instance, because you’re trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don’t know is that that sweater is not just blue, it’s not turquoise, it’s not lapis, it’s actually cerulean. You’re also blithely unaware of the fact that in 2002, Oscar De La Renta did a collection of cerulean gowns. And then I think it was Yves St Laurent, wasn’t it, who showed cerulean military jackets? And then cerulean quickly showed up in the collections of 8 different designers. Then it filtered down through the department stores and then trickled on down into some tragic casual corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs and so it’s sort of comical how you think that you’ve made a choice that exempts you from the fashion industry when, in fact, you’re wearing the sweater that was selected for you by the people in this room. From a pile of stuff.”

A cheap-looking tank top that I’ve basically seen being sold at Divah, Rave, and Forever 21 four years ago is being sold  by L.A.M.B. for 138.75. Pathetic.

Maybe if Gwen was ever an actual rude girl or punk in the first place, she would not only be more original, she would sell her clothing more affordably. Then again, she did grow up a rich, spoiled girl  from Orange County and only ever joined a band because her brother, Eric, started the band and wrote most of the lyrics before leaving the band.

 

May 27, 2007

Lullaby versions of rock songs

This may sound weird, but there are these Rockabye Baby!  CDs I discovered by accident on iTunes that are really good! They do lullaby versions of Radiohead, Coldplay, Smashing Pumpkins,  Nine Inch Nails,  Bjork, Metallica, Queens of the Stone Age, Tool, and more… and then traditional rock bands like the Beatles, U2, The Rolling Stones, etc. I haven’t heard all of it yet, but what I’ve heard so far is good. They seem to choose songs that really work. I am thinking about just buying some of these for myself to help me fall asleep at night. I like how the artwork looks like kid versions of the bands’ original artwork.

You can hear 30 second previews by going to iTunes. Type in “Rockabye Baby!” as the artist.

May 22, 2007

Women in Rock, Groupies in Rock

Wow, I was looking through my computer and going through old files.  I came across this long “editorial” or whatever you want to call it. I don’t think I’ve ever posted this, so here it is. Keep in mind that while I still feel the same way, a lot has changed in my life since I wrote this circa 2005.  I’m not in a band right now, I don’t eat ramen/Campbell’s soup (because they usually have MSG), and I’m actually sick of being poor. I’m going back to school in the fall and trying to do the “real job” thing.  Anyway, here it is:

Women in Rock, Groupies in Rock
As a female musician, I’ve always had a majority of males being my closest friends. Sure, I have hundreds of girl friends, but they’re mostly acquaintances. It’s been like that since I was in high school and it confused the hell out of my parents (how many guys are you dating? you’re not dating them? but why do you hang out so much? how can you guys be so close if you’re not “together”?)

Truth is, I can’t understand how most females look at life. I don’t hate. I just can’t RELATE.  I can’t relate to their attitudes towards certain things. This didn’t really come to light for me until I became a part of the Baltimore local music scene.

While I was focusing my entire life on music – turning down good jobs because it wouldn’t fit with the band’s schedule, living off ramen and campbell’s soup, and still driving the same 93 volvo I’ve had since I was sixteen (but loving it because the means justified the ends),  other females who swear their entire life is about music, but who mean that in a totally different way and haven’t put any sacrifice into it, makes me not understand them.

I’ve lived and breathed music my entire life. I’ve always used the saying that I’m better at expressing myself with music than with words since I learned to read music before I learned to read English. I was so young when I started out that I don’t even remember the learning process. While everyone else in school was going to the mall all the time, going to dances, or getting stoned every day, my life was totally different. I was taking piano lessons, theory lessons, group lessons. I missed very few days of school due to illness;  the majority of the school I missed was because I had some competition or judging to attend. I’ve performed more often as a classical musician than I have in any rock  band I’ve been in, and I’ve played probably around 100 shows in rock bands. There were times where it bothered me that I was missing out on the social aspect of growing up. The overwhelming majority of my friends were all people who were in our circle of pianists. And while that was the reason I gave up being in music school, I don’t regret having been in it because I knew I was focusing on something richer. Something that I loved. Something that had meaning.

So when I became a part of the Baltimore local music scene a few years ago, I slowly got more and more annoyed by things.  I got annoyed at girls who claimed that music was their life.  Music wasn’t their life!  Hanging on to the hot band of the moment and trying to date a member of the band was their goal. I’m not talking about girls whose friends are mostly guys in bands and so by default, of course they’re going to end up with guys in bands more often than not. It’s those girls whose “passion” and “focus” in life is to chase down anyone in any band and to get “close” to them for superficial reasons. Those girls who, if a non-musician were to do something to her or have a certain lifestyle, immediately break up with and call a jerk. But if it’s someone who’s a local celebrity, it’s not even an issue. It’s those girls who are obsessed with darker music, so they dress “goth”, but then when that’s not what’s big in the scene, they suddenly and overnight become an emo kid. I could never relate why a girl would focus their life on chasing down musicians when if they put even half that energy into starting their own band, they would probably fill whatever void they’re trying to fill. And then they’d be fighting off their own guys who want them! I can’t relate to these girls at allllll. I can’t understand anyone whose only “passion” in life is who they are going to get with. They don’t have any hobbies, talents, or real interests in anything of substance. It’s fine to want to be with someone. But if that’s all your life is about, there’s something missing. Besides, what do you really have to offer someone if you don’t have a good personality and traits of your own?

I know this is not all females in the music scene here, but the truth is it’s definitely the overwhelming majority. I always hear girls talk about how badly they want to be in a band. But they have no dedication to it. If they actually end up to the point of being in a band, they don’t want to put the work and complete sacrifice that goes into it. They don’t want to be a musician, they want to be recognized. There’s a difference.

It’s like what Oprah Winfrey said once in one of her shows. When she was starting out and was a local news anchor, she told her agent she wanted to be an actress. And her agent said to her No, you don’t want to be an actress. You want to be a celebrity. There’s a difference. Do you really want to live in New York as a waitress making crappy money while constantly going to auditions and getting turned down? And Oprah said she realized her agent was right and that she stopped focusing on that. Because she realized that who she is now is what her dream was all along. That was what she loved focusing her life on at that time.  But back then, there wasn’t much fame in it.

The very few female friends I’ve had, the friendship didn’t last very long. Most of them didn’t end in big fights or anything. It was more of a …. they were interested in someone in my band, or someone our band was closely connected to – like another band we played with often…. and “coincidentally” after hanging out for a while, they’d tell me that they’d been wanting to meet that guy before they’d met me. And once they got what they wanted or they moved on to the next big band in Baltimore, I’d stop hearing from them. And of course hindsight is 20/20 and now it makes me even more cautious of who I befriend.

And again, I know this is not the majority of females. And this is not me dissing music fans in general. I know that there would be no scene if it weren’t for the fans. But it’s those who I don’t really consider real fans. For example, I’m a fan of great visual artwork. I have very little talent in it myself, so when I see someone else’s work it fascinates me and I love it. And certain artworks can help me zone out or help me deal with someone that’s going on in my own life. But I’m not going to befriend all the artists just so I can date them. Does that make any sense?

But one day, I really started to think about it. Because the few other females that I can relate to have all said to me that they’ve had the same issues that I have. So I know it’s not me. And I started to wonder why things were the way the were.

Then I thought about the whole “women in rock” thing. Yes, there are a ton of women in rock music. It’s just that most aren’t mainstream. If you don’t spit out superficial crap like Avril Lavigne or Gwen Stefani (who really aren’t “rock” stars in my book), unfortunately there’s not a big audience for you in America. But, while there’s a ton of amazingly talented women in music, it’s still mostly males in this industry.

It’s definitely a change for me. When I was in music school, there were hardly any males. As a matter of fact, if a new guy came into the school, us girls were almost amazed. Since most of us were friends with each other more than people in school, the 2% of guys there were the only guys we knew.  But then when I got into my rebellious teenage years and was in a few crappy high school bands that don’t last, it was the other way around.

And I realized that a big reason there are more men in ROCK music, is because of people’s attitudes, especially parents. I had a stage mother. VERY involved in every aspect of school and piano. She is an amazingly talented classical musician, but she grew up in an extremely poor, rural part of South Korea, so there weren’t many opportunities for her. Her big dream for me was to become this famous concert pianist and play Carnegie Hall some day. In fact, it was her pushing me too hard that made me want to quit. Sure I wanted it, but she wanted it more than I did.

So you’d think that when I started playing out in bands, then playing solo, then playing back out in a band again – and doing well, that she’d be so happy, right? Happy that I’d once again focused my entire life on creating music. WRONG. She was so angry! Why was I doing music that wasn’t “real” music? Why was I in a field that is so unstable and there is no guarantee of becoming “successful”? Why would I be so stupid to take such a huge risk when before I was headed down the path to going to like a prestigious college for music and then through that I could become a professional concert musician. Why would I give up such a stable and sure shot for something that’s soooo not?

Because success to me isn’t defied in money or label status or anything like that. Success to me is being happy with what you’re doing. Knowing that you’re touching others. And being able to be proud of what your music is and what it’s about. Being able to express yourself. Even though I’d only been in a band that was “only” successful in the mid-atlantic region, to me I was accomplishing everything I had wanted and was happy as hell. We got to perform constantly to different crowds in different areas. We had a loyal fanbase. And truly the greatest thing was hearing personally from others that they could relate to us. Or that I inspired them to start taking piano lessons. Or girls telling me I inspired them to start a rock band of their own.

Sure, money is GREAT. It would certainly solve a lot of my problems. But I’d rather be poor and doing what I love than making a ton of money but hating my life. My friend Dan from a Freudian Slip put it best when he said: “I’d rather be poor and love what I’m doing. Practicing with my band, recording an album, and performing for people. There’s people that work their whole lives to make a ton of money just so they can get that two weeks of vacation. For what? To go to Bermuda and hang out with old people? I’m living a vacation everyday of my life”.

But parents are a lot less anxious about a male going out and living an unstable life and doing “crazy” things than with a girl. Parents are much more protective of their daughters. You can take the same parents who have a son who’s sacrificing his life for whatever dream and while they might not have had that in mind for him, they’re supportive. The same parents have a daughter who tells them she wants a guitar for her birthday. They think it’s some kind of phase and then, like two years later when they finally decide to buy her the guitar because she’s still interested in it, they think that’s the end of it. But then when she starts hanging out with other musicians and jamming out, they get concerned. They want to know more about these people she’s hanging out with. Then if she actually joins a band and spends all her time on that, they start to put their foot down. What about college? What about becoming a doctor? It’s like they’d rather have their teenage daughter out at the mall hanging out with boys, eating Dairy Queen, and trying on the latest M-A-C Makeup products than be a musician. Oh no, that would be the death of her!

I was kicked out of the house when I was a teenager one night out of nowhere, mainly because my mother was sick and tired of the whole band thing. And while I was extremely upset, I felt free. I was like now that I’ve been put in this crappy situation, I’m going to make the best of it. And since I can do whatever I want, I have the freedom to focus on my music. AND I DID. I think in hindsight that getting kicked out was the best thing that ever happened to me. Because it made me realize it was the only thing I had. I was doing the music thing and going to school at the same time, but since that wasn’t a possibility anymore, I just focused everything on just the music. And I wasn’t under my parents strict supervision so if I wasn’t kicked out, I wouldn’t have networked and found the people who became my peers and who became my band mates.

So basically to sum it up, I think that the reason that a lot of females are not in bands, has a lot to do with not getting the support they deserve. Not all girls, of course, some really just don’t care about the music and just care about people’s status. But I think usually you can tell the ones who really know about music, but just don’t know how to play it.

But I also think that’s why, in my opinion, the percentage of women in rock that are so passionate and talented is higher than  the percentage of men.  If you have to fight off everyone getting in your way more than men, if you have to fight not just society’s view of you but your loved ones as well, it means you reaaalllly, truly want it badly. And because you had to work ten times harder than the guy next to you, not only to get to where you are, but to prove that you’re an above average musician and that you deserve to be doing this, you’re usually going to be damn good at it.

April 12, 2007

Peeping Tom w/Miho Hatori

Original entry: http://cherryteresa.greatestjournal.com/2007/04/12/

This past Friday I went to a great show at Ram’s Head Live here in Baltimore. Peeping Tom, one of Mike Patton’s bands (it seems like he’s in 300 bands sometimes) was the headliner. Miho Hatori (formerly of Cibo Matto and one of the voices of Noodles from the Gorillaz) was one of the openers.

Ram’s Head is a nice place that books great bands. It’s hard to have a bad seat in the house. I’m only 5’5″, so at a lot of shows that are crowded, it’s harder for me to see. But the way Ram’s Head is set up, it’s a lot easier on the main floor because of how it’s set up. Also, there’s a second floor overlooking the whole thing, which is great. I don’t like how they have bathroom attendants there. I have no problem tipping a waiter or food deliverer, but I’m not paying someone to hand me a paper towel. What also sucks is that it’s near the Power Plant, so you pretty much have to spend the $13 to park in the garage. There is hardly any parking and even if you find a spot far away, it’s on 24/7 meters that you have to fill up every hour or two. So you’d be missing the show to re-fill the meter. That’s if you can even get that spot in the first place. At least the garage is right next to Ram’s Head with the elevator taking you there. That’s convenient, especially if you’re going there on a cold night.

Miho Hatori’s songs sounded similar to Cibo Matto but less funky. It was a mellower version. I do like Cibo Matto better, but I still enjoyed her set and was excited to catch her. It was the first of only four dates that she’s playing with Peeping Tom on this tour and so I feel lucky. Back when Cibo Matto was around, the only one or two times they came to Baltimore after I moved here was either on a school night or an 18+ place and I was still in high school at the time, so I couldn’t go. Back then, less clubs were all ages. Anyway, the crowd was surprisingly enthusiastic, maybe even too enthusiastic. It was funny. During her first song, she and her band had to start over because the sound in the monitors was all messed up. I can relate. That sucks when that happens. When she said she had to start the song over, the audience cheered! But that’s better than someone audiences, who boo because they don’t realize if you can’t hear yourself or the other instruments, it’s pretty difficult to perform well. Later in the set, she walked over toward her guitar to play some songs with guitar in it, and everyone cheered loudly just for that. I don’t know if it was mocking or sincere because later people complained about her. After she played and before Peeping Tom, I walked around to socialize with people and said did pretty much what people did when I saw Mr. Bungle (one of Mike Patton’s bands) back in 2000. Mr. Bungle was an opener and the majority of the crowd hated them. Not just disliked, but hated them. Then, after they were done and they heard “that’s the singer from Faith No More”, they suddenly changed their minds and said how great thet set was. People did that with Miho Hatori. “She does the ‘get cool shoe shine song’ in the Gorillaz? Oh my g-d, I like her now”. Losers.

Then came Peeping Tom. My friends and I were wondering how Patton would pull this off live. The album has a lot of guest stars on it (some of whom, such as Nora Jones and Kool Keith, he has yet to meet face-to-face). The only one of those guest stars performing live with him was Dan the Automator. How was he going to perform without Rahzel? Well, he and his band did a great job! There was a total of eight members on the stage. Three of them were in a band the Dub Trio. There was an awesome female beatboxer, one of the best I’ve heard. The keyboardist had at least three keyboards if I remember correctly. Great energy and each of the member’s performances were spot on. The songs sound like a hip-hoppish and somewhat poppish version of Mr. Bungle. Patton says that this is record is his pop album. Not necessarily pop that’s on the radio, but his version of it. Mike Patton (along with Kathleen Hanna) is one of the few people that can really pull of being in bands of different genres. The music still “sounds like Matt Patton” but doesn’t sound the same as each other. It’s original and fresh and it’s not like “Oh g-d, not another Patton project”. I’m not one of these obsessive Matt Patton fans though like some of the weirdos who were at the show. But I like and respect the guy. Wish there were more signed artists like him in rock right now. Rock is in such a weird state right now, but that’s a whole other topic.

Patton also wore a stocking cap on his head. He was able to pull that off with his personality. 😉

March 28, 2007

Vote for the Worst

Original entry and comments: http://cherryteresa.greatestjournal.com/2007/03/28/

Based on all the “controversy” over Sanjaya, I decided to watch a few minutes of American Idol last night to see what all the fuss was about. This was the first time I’d seen part of an episode of AI besides the bad audition episodes. Sanjaya wasn’t nearly as bad as I thought he would be based on people’s negative comments about him. But I do agree, he is the weakest link out of all of them as far as vocal ability. Last night was the first time I ever called in and voted and it was for Sanjaya haha. After reading votefortheworst.com, I decided to join in on the fun. They have some actual valid reasons for putting that site up and telling people to vote for the “worst” ones.

I’d like to point out that Gwen Stefani was the guest last night. But of the contestants that covered “her” songs, they all did No Doubt songs. Not one person did a Gwen Stefani solo song. Ha!